Justyna Banaszczyk, known as FOQL, is a renowned experimental electronic music artist, active on the Polish and international music scene. She was born and lives in Łódź. Her work combines elements of industrial, club music, and avant-garde electroacoustics, creating unique sound narratives. She is a member of the SHAPE Platform. She co-founded the Pointless Geometry label, which promotes innovative forms of experimental music. She is also a co-founder of the community radio Radio Kapitał. She has performed at prestigious festivals such as Unsound, Sacrum Profanum, Avant Art, Up To Date, and Warsaw Autumn. She has released eight albums and five EPs. Her music has been released in various countries, including Poland, the United Kingdom, and the United States. She collaborated with Grzegorz Jaremko on the plays Przemiana (Nowy Teatr, Warsaw) and Werter (Teatr Polski, Bydgoszcz), creating the sound design. She composed the music for the play Kar Nawał, staged at the Teatr Nowy in Łódź. She created the radio plays Pryzmat (2022) and Dystans Nieograniczony (in collaboration with the University of Łódź). Her works have been presented at exhibitions, including “Cosmic Generation” (Manggha Museum, Krakow). In 2020, she co-created the multi-channel installation “Temple of Urania,” which premiered at the Sound Sanatorium. She created the music for the game “Kosmograf” (Wawel Royal Castle) and for Emir Baigazin’s film “Ozen,” which premiered at the Venice Biennale. She was one of the composers of the music for the game Cyberpunk 2077. In 2021, she participated in the FemLab Mexico residency (Casa del Lago UNAM) and created the audiovisual installation Mutual Dreaming (Polish Cultural Institute New York). She collaborated on the projects “Kafka’s Sisters” (Edelman Dialogue Center) and “Manifesto: Non-Aggression Pact” for Warsaw Autumn. She created the series “Przyziemnie”, commissioned by the Łaźnia Center for Contemporary Art. She is an active cultural animator – she co-run the Ignorantka club café in Łódź, which is a space for experimental music and independent art. For her work on behalf of the music and cultural scene, she was honored with the “Wiosło Kultury” award by Łódź’s Gazeta Wyborcza newspaper. Her work has been featured in prestigious media outlets such as The Quietus, DJ Mag, The Wire, Teatr, Dialog, Dwutygodnik, Polityka, and Czas Kultury have written about her work. She is a scholarship holder of the Ministry of Culture and National Heritage and ZAIKS, and in 2025 she received an Artistic Scholarship from the City of Łódź.
Canti Spazializzati #21: Spiral form
Canti Spazializzati #19 Acousmatic mapping
Canti Spazializzati #18 POST-OPERAS
Canti Spazializzati #17 At dawn in the Eastern Park
Canti Spazializzati #15: Listening scores
Canti Spazializzati #11
Canti Spazializzati #9
Canti Spazializzati x Radio Żyjnia
Canti Spazializzati #8
Canti Spazializzati #7
Canti Spazializzati #6
Canti Spazializzati #5
Canti Spazializzati #4
Canti Spazializzati #3
Canti Spazializzati #2
Canti Spazializzati #1
About Us

Running since 2018, this initiative is dedicated to theories and practices of experimental music focused on concepts of spatialising sound compositions created for multi-channel sound reinforcement. It combines the idea of presenting new music projects with enabling artists to develop the spatial aspects of sound composition and creating a platform for collaboration between young musicians, composers and sound artists.
This service is a streaming platform for listening to spatialised tracks by artists invited to participate in our events. Each track is available in two versions – binaural and multichannel. The binaural version best captures the effects of surround sound in headphone listening, but will also listen well on regular stereo speakers (2 speakers). The multi-channel version is designed for surround systems, commonly known as home cinema, – that is, 5.1 and 7.1 speaker systems, as well as soundbars.
The team is now:
Curator: Daniel Brożek
Producer: Agnieszka Jakuszak
PR: Agata Szakiel
Sound engineer: Jędrzej Borowski
Visual identity: Kama Sokolnicka
Organizer: Fundacja na Rzecz Studiów Europejskich
Partnerzy: BWA Wrocław Galerie Sztuki Współczesnej
In the past Canti Spazializzati team was suported by: Martyna Woch, Mateusz Sabela, Joanna Sokalska, Jan Chrzan, Marta Konieczna, Barbara Celebucka, Karolina Pietrzyk, Mateusz Zieleniewski.
In 2019-2023 the cycle was organized by Fundacja PozyTYwka
Series co-financed by the City of Wrocław | www.wroclaw.pl and under the funds of the National Reconstruction and Resilience Plan: a program to support the activities of entities from the cultural and creative industries sector to stimulate their development.
Soundwalks
A series of audio walks created on an augmented reality (XR) platform, designed to be experienced independently with a smartphone and headphones (you can also listen on a speaker, but it’s best to avoid excessive noise in the places we invite you to). To take the walk, install the Echoes app on your smartphone, then click the link for the chosen walk and press “STREAM WALK.”
Canti Spazializzati #19 Acousmatic mapping
Canti Spazializzati #17 At dawn in the Eastern Park
Canti Spazializzati #14 x BLVR
Canti Spazializzati #13: Liquid Ground. A performative soundwalk with Alicja Czyczel
Canti Spazializzati #10
Canti Spazializzati #9: Neutral field | Nowacka
Irrigation Fields
Katarzyna Roj invited us to the Irrigation Fields in 2021. As part of the preparations for the exhibition, the ŚWIT radio play was created. In 2022, we began continuous listening to the audiosphere of irrigation fields and examining the impact on the natural environment of noise pollution from the nearby fields of the Wrocław Motorway Bypass, the S5 expressway, Szymanów airport, and railway lines. We present a selection of automatic field recordings conducted 24/7 throughout the calendar year 2022.














