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About Us

Canti Spazializzati is the series of workshops and concerts, carried out since 2018, is dedicated to theories and practices in the field of experimental music, focusing on the concepts of spatialisation of sound compositions created for multi-channel sound systems.

 

Running since 2018, this initiative is dedicated to theories and practices of experimental music focused on concepts of spatialising sound compositions created for multi-channel sound reinforcement. It combines the idea of presenting new music projects with enabling artists to develop the spatial aspects of sound composition and creating a platform for collaboration between young musicians, composers and sound artists.

This service is a streaming platform for listening to spatialised tracks by artists invited to participate in our events. Each track is available in two versions – binaural and multichannel. The binaural version best captures the effects of surround sound in headphone listening, but will also listen well on regular stereo speakers (2 speakers). The multi-channel version is designed for surround systems, commonly known as home cinema, – that is, 5.1 and 7.1 speaker systems, as well as soundbars.

The team is now:
Curator: Daniel Brożek
Producer: Agnieszka Jakuszak
PR: Agata Szakiel
Sound engineer: Jędrzej Borowski
Visual identity: Kama Sokolnicka
Organizer: Fundacja na Rzecz Studiów Europejskich
Partnerzy: BWA Wrocław Galerie Sztuki Współczesnej

In the past Canti Spazializzati team was suported by: Martyna Woch, Mateusz Sabela, Joanna Sokalska, Jan Chrzan, Marta Konieczna, Barbara Celebucka, Karolina Pietrzyk, Mateusz Zieleniewski.

In 2019-2023 the cycle was organized by Fundacja PozyTYwka

Series co-financed by the City of Wrocław | www.wroclaw.pl and under the funds of the National Reconstruction and Resilience Plan: a program to support the activities of entities from the cultural and creative industries sector to stimulate their development.

Soundwalks

Echoes Platform

A series of audio walks created on an augmented reality (XR) platform, designed to be experienced independently with a smartphone and headphones (you can also listen on a speaker, but it’s best to avoid excessive noise in the places we invite you to). To take the walk, install the Echoes app on your smartphone, then click the link for the chosen walk and press “STREAM WALK.”

Irrigation Fields

coaustic study of the Wrocław Irrigation Fields

Katarzyna Roj invited us to the Irrigation Fields in 2021. As part of the preparations for the exhibition, the ŚWIT radio play was created. In 2022, we began continuous listening to the audiosphere of irrigation fields and examining the impact on the natural environment of noise pollution from the nearby fields of the Wrocław Motorway Bypass, the S5 expressway, Szymanów airport, and railway lines. We present a selection of automatic field recordings conducted 24/7 throughout the calendar year 2022.

17.11.2019
Canti Spazializzati Workshops #8 Arduino / Modular Process Music

We invite you to the fourth edition of workshops prepared by Krzysztof Cybulski at the Audio-Visual Technology Center in Wrocław, during which we will build interactive sound objects based on the Arduino platform and Krzysztof Cybulski’s original Modular Process Music project.
Modular Process Music is a concept/set of instruments designed to create improvised music in a new way. The title can be understood in three ways:
– “process music” – a method of creating music in which the composer/artist does not create a fixed piece; rather, they design a process that in turn generates music;
– “modular process” – a process that can be redesigned on the fly by changing the order and relationships of several sound modules;
– “modular music” – a piece consisting of modules or parts that can be freely assembled and changed at any point.
The instruments communicate with each other through sound alone, in the same way that musicians improvise. Unlike a typical modular synthesizer, instead of connecting modules with patch cables, each instrument has a speaker and a conference microphone so that they can listen to each other or other external sounds. Some instruments are controlled by sound alone, while others can also be controlled manually. The instruments are designed so that their interactions and sound-making processes are clearly visible and understandable to the audience—visual feedback is provided by the mechanical movement of the components.

ABOUT THE LEADER:

Krzysztof Cybulski

Composer and sound artist, creator of electroacoustic music, interactive sound objects and installations. Graduate of the Karol Szymanowski Academy of Music in Katowice. Co-founder of the panGenerator group treating new media art as a laboratory of the future. Winner of Prix Ars Electronica 2017 in the “digital musics & sound art” category. He carried out projects together with Robert Curgenven, Krzysztof Knittel, Anna Zaradny, Norman Leto, Slawomir Wojciechowski.

website

EVENT

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TEAM:

curator: Daniel Brożek
organiser: Fundacja pozyTYwka
co-organiser: Centrum Technologii Audiowizualnych
Series co-financed by the City of Wrocław | www.wroclaw.pl

Krajowy Plan Odbudowy. Rzeczpospolita Polska. Sfinansowane przez Unię Europejską. NextGenerationEU