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About Us

Canti Spazializzati is the series of workshops and concerts, carried out since 2018, is dedicated to theories and practices in the field of experimental music, focusing on the concepts of spatialisation of sound compositions created for multi-channel sound systems.

 

Running since 2018, this initiative is dedicated to theories and practices of experimental music focused on concepts of spatialising sound compositions created for multi-channel sound reinforcement. It combines the idea of presenting new music projects with enabling artists to develop the spatial aspects of sound composition and creating a platform for collaboration between young musicians, composers and sound artists.

This service is a streaming platform for listening to spatialised tracks by artists invited to participate in our events. Each track is available in two versions – binaural and multichannel. The binaural version best captures the effects of surround sound in headphone listening, but will also listen well on regular stereo speakers (2 speakers). The multi-channel version is designed for surround systems, commonly known as home cinema, – that is, 5.1 and 7.1 speaker systems, as well as soundbars.

The team is now:
Curator: Daniel Brożek
Producer: Agnieszka Jakuszak
PR: Agata Szakiel
Sound engineer: Jędrzej Borowski
Visual identity: Kama Sokolnicka
Organizer: Fundacja na Rzecz Studiów Europejskich
Partnerzy: BWA Wrocław Galerie Sztuki Współczesnej

In the past Canti Spazializzati team was suported by: Martyna Woch, Mateusz Sabela, Joanna Sokalska, Jan Chrzan, Marta Konieczna, Barbara Celebucka, Karolina Pietrzyk, Mateusz Zieleniewski.

In 2019-2023 the cycle was organized by Fundacja PozyTYwka

Series co-financed by the City of Wrocław | www.wroclaw.pl and under the funds of the National Reconstruction and Resilience Plan: a program to support the activities of entities from the cultural and creative industries sector to stimulate their development.

Soundwalks

Echoes Platform

A series of audio walks created on an augmented reality (XR) platform, designed to be experienced independently with a smartphone and headphones (you can also listen on a speaker, but it’s best to avoid excessive noise in the places we invite you to). To take the walk, install the Echoes app on your smartphone, then click the link for the chosen walk and press “STREAM WALK.”

Irrigation Fields

coaustic study of the Wrocław Irrigation Fields

Katarzyna Roj invited us to the Irrigation Fields in 2021. As part of the preparations for the exhibition, the ŚWIT radio play was created. In 2022, we began continuous listening to the audiosphere of irrigation fields and examining the impact on the natural environment of noise pollution from the nearby fields of the Wrocław Motorway Bypass, the S5 expressway, Szymanów airport, and railway lines. We present a selection of automatic field recordings conducted 24/7 throughout the calendar year 2022.

15.04.2023
Canti Spazializzati Sound Lab 2023 – Agata Zemla

Canti Spazializzati Sound Lab 2023 –
Agata Zemla: Motion controllers in the Max sound programming environment

Composer Agata Zemla will present the basics of sound synthesis in the Max environment and ways of using motion controllers to control spatial aspects. The workshop will be accompanied by a performance by the instructor using the techniques presented. Participation in the workshop does not require any preparation or knowledge of working with sound, but it is recommended that you bring your own laptop and headphones.

ABOUT THE LEADER:

Agata Zemla

She is a graduate of the Music School in the piano class, biology at the University of Wroclaw and music theory at the Academy of Music in Wroclaw, where she studies composition in the class of Prof. Cezary Duchnowski. In her thesis in theory, she undertook a consideration of the influence of rhythm on the phenomenon of trance, in a psychological and somatic context, thus realizing a cross-sectional study from the music of African tribes to club dance music. She composes contemporary classical music that will affect the current world as a manifesto, a postulate, a document – at the same time being innovative, based on electroacoustic music. She creates in what she describes as a journalistic trend, touching on political, sociological, psychological, as well as naturalistic aspects. Her works have been presented at the NOSPR, the AMKL Courtyard Concerts, and the Art Media Biennale Reverso 2021 at the WroArt Center, among others. Agata also composes music for performances, which could be heard, among others, as part of the XXX National Festival of Puppet Theaters in Opole. In addition to composing, she is also a performer and sound designer, and performs intermedia performances, as well as live sets.

soundcloud

EVENT

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TEAM:

Daniel Brożek (kurator/curator), Marta Konieczna (producentka/ producer, współpraca kuratorska/co-curator), Emilia Konwerska (PR)
Identyfikacja wizualna:
Karolina Pietrzyk + Mateusz Zieleniewski
Organizator:
Fundacja PozyTYwka
Partnerzy:
Małe Instrumenty / Galeria Toy Piano
BWA Wrocław Galerie Sztuki Współczesnej
Patronat medialny: Magazyn “Glissando”
Cykl współfinansowany ze środków Miasta Wrocławia / Series co-financed by the City of Wrocław | www.wroclaw.pl

Krajowy Plan Odbudowy. Rzeczpospolita Polska. Sfinansowane przez Unię Europejską. NextGenerationEU