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About Us

Canti Spazializzati is the series of workshops and concerts, carried out since 2018, is dedicated to theories and practices in the field of experimental music, focusing on the concepts of spatialisation of sound compositions created for multi-channel sound systems.

 

Running since 2018, this initiative is dedicated to theories and practices of experimental music focused on concepts of spatialising sound compositions created for multi-channel sound reinforcement. It combines the idea of presenting new music projects with enabling artists to develop the spatial aspects of sound composition and creating a platform for collaboration between young musicians, composers and sound artists.

This service is a streaming platform for listening to spatialised tracks by artists invited to participate in our events. Each track is available in two versions – binaural and multichannel. The binaural version best captures the effects of surround sound in headphone listening, but will also listen well on regular stereo speakers (2 speakers). The multi-channel version is designed for surround systems, commonly known as home cinema, – that is, 5.1 and 7.1 speaker systems, as well as soundbars.

The team is now:
Curator: Daniel Brożek
Producer: Agnieszka Jakuszak
PR: Agata Szakiel
Sound engineer: Jędrzej Borowski
Visual identity: Kama Sokolnicka
Organizer: Fundacja na Rzecz Studiów Europejskich
Partnerzy: BWA Wrocław Galerie Sztuki Współczesnej

In the past Canti Spazializzati team was suported by: Martyna Woch, Mateusz Sabela, Joanna Sokalska, Jan Chrzan, Marta Konieczna, Barbara Celebucka, Karolina Pietrzyk, Mateusz Zieleniewski.

In 2019-2023 the cycle was organized by Fundacja PozyTYwka

Series co-financed by the City of Wrocław | www.wroclaw.pl and under the funds of the National Reconstruction and Resilience Plan: a program to support the activities of entities from the cultural and creative industries sector to stimulate their development.

Soundwalks

Echoes Platform

A series of audio walks created on an augmented reality (XR) platform, designed to be experienced independently with a smartphone and headphones (you can also listen on a speaker, but it’s best to avoid excessive noise in the places we invite you to). To take the walk, install the Echoes app on your smartphone, then click the link for the chosen walk and press “STREAM WALK.”

Irrigation Fields

coaustic study of the Wrocław Irrigation Fields

Katarzyna Roj invited us to the Irrigation Fields in 2021. As part of the preparations for the exhibition, the ŚWIT radio play was created. In 2022, we began continuous listening to the audiosphere of irrigation fields and examining the impact on the natural environment of noise pollution from the nearby fields of the Wrocław Motorway Bypass, the S5 expressway, Szymanów airport, and railway lines. We present a selection of automatic field recordings conducted 24/7 throughout the calendar year 2022.

03.10.2021
Canti Spazializzati Sound Lab 2021 – VR2OSC

VR2OSC. Workshops for digital musicians devoted to communication between interactive VR environments and sound generators.

As part of the Canti Spazializzati Sound Lab workshops in 2021, we will continue our work on the creation of acoustic spaces in sound compositions. Based on our experience in working with spatial sound (ambisonia, binaural), we will look at the possibilities of virtual/extended reality (VR/XR) environments in terms of acoustic modeling. Techniques for shaping acoustics have traditionally been available to architects. In the tradition of sound art, which treats sound as a function of the space in which it propagates, the artist usually works with existing acoustics. VR/XR techniques make it possible to define acoustic parameters in the process of creating space, thus broadening the spectrum of compositional decisions in the hands of sound artists. During the workshop, we will focus on techniques for using VR in the process of working on spatial compositions.
During this year’s second meeting, which will last several hours, we will combine an original VR installation based on WebXR technology with your sound generation software. We will use the OSC protocol for this purpose. We will check how and what signals sent from virtual reality are best suited to creating sound space in real reality. We will create dynamic compositions controlled by movement and interaction. VR goggles and the world they present will become an experimental audio controller in our hands.

ABOUT THE LEADER:

Michał Szota

By day he designs and builds original websites. By night, he conducts creative experiments using lessons learned during the day.

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EVENT

TEAM:

Curator: Daniel Brożek
Production team: Joanna Sokalska, Jan Chrzan
Organiser: Fundacja PozyTYwka
Co-organser: BWA Wrocław Galerie Sztuki Współczesnej
Visual identity: Karolina Pietrzyk (http://karolinapietrzyk.info/ ) + Mateusz Zieleniewski (http://www.mzieleniewski.com/ )
Series co-financed by the City of Wrocław | www.wroclaw.pl

Krajowy Plan Odbudowy. Rzeczpospolita Polska. Sfinansowane przez Unię Europejską. NextGenerationEU