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About Us

Canti Spazializzati is the series of workshops and concerts, carried out since 2018, is dedicated to theories and practices in the field of experimental music, focusing on the concepts of spatialisation of sound compositions created for multi-channel sound systems.

 

Running since 2018, this initiative is dedicated to theories and practices of experimental music focused on concepts of spatialising sound compositions created for multi-channel sound reinforcement. It combines the idea of presenting new music projects with enabling artists to develop the spatial aspects of sound composition and creating a platform for collaboration between young musicians, composers and sound artists.

This service is a streaming platform for listening to spatialised tracks by artists invited to participate in our events. Each track is available in two versions – binaural and multichannel. The binaural version best captures the effects of surround sound in headphone listening, but will also listen well on regular stereo speakers (2 speakers). The multi-channel version is designed for surround systems, commonly known as home cinema, – that is, 5.1 and 7.1 speaker systems, as well as soundbars.

The team is now:
Curator: Daniel Brożek
Producer: Agnieszka Jakuszak
PR: Agata Szakiel
Sound engineer: Jędrzej Borowski
Visual identity: Kama Sokolnicka
Organizer: Fundacja na Rzecz Studiów Europejskich
Partnerzy: BWA Wrocław Galerie Sztuki Współczesnej

In the past Canti Spazializzati team was suported by: Martyna Woch, Mateusz Sabela, Joanna Sokalska, Jan Chrzan, Marta Konieczna, Barbara Celebucka, Karolina Pietrzyk, Mateusz Zieleniewski.

In 2019-2023 the cycle was organized by Fundacja PozyTYwka

Series co-financed by the City of Wrocław | www.wroclaw.pl and under the funds of the National Reconstruction and Resilience Plan: a program to support the activities of entities from the cultural and creative industries sector to stimulate their development.

Soundwalks

Echoes Platform

A series of audio walks created on an augmented reality (XR) platform, designed to be experienced independently with a smartphone and headphones (you can also listen on a speaker, but it’s best to avoid excessive noise in the places we invite you to). To take the walk, install the Echoes app on your smartphone, then click the link for the chosen walk and press “STREAM WALK.”

Irrigation Fields

coaustic study of the Wrocław Irrigation Fields

Katarzyna Roj invited us to the Irrigation Fields in 2021. As part of the preparations for the exhibition, the ŚWIT radio play was created. In 2022, we began continuous listening to the audiosphere of irrigation fields and examining the impact on the natural environment of noise pollution from the nearby fields of the Wrocław Motorway Bypass, the S5 expressway, Szymanów airport, and railway lines. We present a selection of automatic field recordings conducted 24/7 throughout the calendar year 2022.

2-3.03.2019
Canti Spazializzati #5 Workshops – Paulina Czerek – Ableton Live

Canti Spazializzati #5 – WORKSHOP
Paulina Czerek – Ableton Live as an environment for compositional experimentation
March 2-3, 2019, 10:00 a.m.-1:00 p.m. / 2:00 p.m.-5:00 p.m.
BWA Wrocław Główny Gallery
Mezzanine at the Wrocław Główny Railway Station
ul. Piłsudskiego 105
During the first workshop prepared by Paulina Czerek, participants will learn about the Ableton Live environment and the basics of composing and processing sound using a computer. We will also learn how to use Ableton Live to control the Wielki Pragotron Spacializowany sound installation, which was created as part of Odjazd. Exhibition at the new BWA Wrocław Główny gallery. The most interesting pieces created during the workshops will be presented during the Canti Spazializzati #5 concert on March 30 as part of the exhibition’s closing weekend.
The workshops are an introduction to the world of undefined rules of digital music production. We will focus on using Ableton Live 10 as a tool for compositional experimentation. We will explore the use of audio and MIDI in an experimental form. We will compose our own rhythms and melodies using samples, effects, virtual instruments, and external MIDI controllers.

ABOUT THE LEADER:

Beniovska

A representative of the techno and acid house scene in Poland, when she’s humming a bit she also likes to play Bajm. When she is not mixing with a mixer, she is involved in production and multidisciplinary projects of the young artistic body in Poland. A member of the Gnojki collective. She has played live acts and dead sets in local clubs in Poland and Iceland. Currently she is delving into the secrets of field recording while creating intriguing sound stories.

artist’s soundcloud

EVENT

GALLERY:

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TEAM:

Curator: Daniel Brożek
Production & PR: Martyna Woch, Mateusz Sabela
Poster: Karolina Pietrzyk (http://karolinapietrzyk.info/ ) + Mateusz Zieleniewski (http://www.mzieleniewski.com/ )
Co-0rganisers: Fundacja pozyTYwka, BWA Wrocław
Workshops co-financed by the City of Wrocław
www.wroclaw.pl

Krajowy Plan Odbudowy. Rzeczpospolita Polska. Sfinansowane przez Unię Europejską. NextGenerationEU