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About Us

Canti Spazializzati is the series of workshops and concerts, carried out since 2018, is dedicated to theories and practices in the field of experimental music, focusing on the concepts of spatialisation of sound compositions created for multi-channel sound systems.

 

Running since 2018, this initiative is dedicated to theories and practices of experimental music focused on concepts of spatialising sound compositions created for multi-channel sound reinforcement. It combines the idea of presenting new music projects with enabling artists to develop the spatial aspects of sound composition and creating a platform for collaboration between young musicians, composers and sound artists.

This service is a streaming platform for listening to spatialised tracks by artists invited to participate in our events. Each track is available in two versions – binaural and multichannel. The binaural version best captures the effects of surround sound in headphone listening, but will also listen well on regular stereo speakers (2 speakers). The multi-channel version is designed for surround systems, commonly known as home cinema, – that is, 5.1 and 7.1 speaker systems, as well as soundbars.

The team is now:
Curator: Daniel Brożek
Producer: Agnieszka Jakuszak
PR: Agata Szakiel
Sound engineer: Jędrzej Borowski
Visual identity: Kama Sokolnicka
Organizer: Fundacja na Rzecz Studiów Europejskich
Partnerzy: BWA Wrocław Galerie Sztuki Współczesnej

In the past Canti Spazializzati team was suported by: Martyna Woch, Mateusz Sabela, Joanna Sokalska, Jan Chrzan, Marta Konieczna, Barbara Celebucka, Karolina Pietrzyk, Mateusz Zieleniewski.

In 2019-2023 the cycle was organized by Fundacja PozyTYwka

Series co-financed by the City of Wrocław | www.wroclaw.pl and under the funds of the National Reconstruction and Resilience Plan: a program to support the activities of entities from the cultural and creative industries sector to stimulate their development.

Soundwalks

Echoes Platform

A series of audio walks created on an augmented reality (XR) platform, designed to be experienced independently with a smartphone and headphones (you can also listen on a speaker, but it’s best to avoid excessive noise in the places we invite you to). To take the walk, install the Echoes app on your smartphone, then click the link for the chosen walk and press “STREAM WALK.”

Irrigation Fields

coaustic study of the Wrocław Irrigation Fields

Katarzyna Roj invited us to the Irrigation Fields in 2021. As part of the preparations for the exhibition, the ŚWIT radio play was created. In 2022, we began continuous listening to the audiosphere of irrigation fields and examining the impact on the natural environment of noise pollution from the nearby fields of the Wrocław Motorway Bypass, the S5 expressway, Szymanów airport, and railway lines. We present a selection of automatic field recordings conducted 24/7 throughout the calendar year 2022.

09.12.2023
Canti Spazializzati #16: Ryszard Lubieniecki

Ryszard Lubieniecki
Kompozycja izorytmiczna nr 6. Opusculum monacordale (2023) 50′
world premiere

Kompozycja izorytmiczna nr 6 is an attempt to revive and activate a 600-year-old treatise using contemporary artistic means. Currently stored in the University Library in Wrocław, Opusculum monacordale begins with a description of the origins of music, before moving on to a lecture on the basics of the medieval sound system. Its source is the monochord – a single-stringed instrument used to measure proportions and thus determine the distance between sounds. The composition follows the course of the treatise, and like it, is divided into two “books,” the first of which is devoted to the components of the system, and the second to the so-called eight tones – modi, or ways of performing monophonic singing. The whole covers the path from the creation of music, the formation of its sound foundations (Monacordum) and ways of presenting them (Manus, Figura), through the study of intervals (Ter tria), the eight tones (Quatuor in locis, also shown in diagrams – Figure), to more compact sound structures (Nunc modulare – “now sing [according to the measure]”).
In its idea Kompozycja izorytmiczna nr 6. Opusculum monacordale is intended to summarize a rather loosely constructed cycle of the titular “isorhythmic compositions,” almost all of which were recorded on an album released by Nasze Nagrania in 2021. Here, too, hidden melodic-rhythmic patterns emerge, internally shaping the flow of some parts (isorhythms), multi-channel electronics recorded using magnetic tapes and containing recordings of the treatise’s content, old manuscripts used as graphic scores, and carefully written instrumental parts (including medieval keyboard instruments), full of unstable, noisy sounds and microintervals.

Performes:
Layers
Zofia Ilnicka – flutes
Ryszard Lubieniecki – portative organ, clavisimbalum
Jakub Wosik – violin

ABOUT THE ARTIST:

Ryszard Lubieniecki

Composer, musicologist, instrumentalist, improviser. He studied composition and accordion at the Academy of Music in Bydgoszcz. In 2023, he completed his doctoral thesis under the supervision of Professor Remigiusz Pośpiech at the Institute of Musicology in Wrocław (where he currently works as an assistant professor), on memory and its traces in late medieval musical and theoretical sources from the Central European region. In addition to the accordion, he also plays medieval keyboard instruments (portative organ and clavicymbalum). Co-founder of the contemporary music trio Layers and the medieval music ensemble Vox Imaginaria, as well as more ephemeral improvised music groups, including Izquierdo/Lubieniecki, Widzicie, Lubieniecki/Rupniewski and Disquiet.

https://soundcloud.com/ryszard-lubieniecki

EVENT

Kompozycja izorytmiczna nr 6. Opusculum monacordale was composed as part of the President of Wrocław Scholarship for 2023.

Krajowy Plan Odbudowy. Rzeczpospolita Polska. Sfinansowane przez Unię Europejską. NextGenerationEU