Sound artist, performer. She learned the “deep listening” method from Pauline Oliveros, a vocal system of Hindustani raga in Varanasi, India. She is interested in the human voice as a bridge between the public and private spheres, listening and improvisation as a practice of social resistance. She is the author of the text “More bark, more bite” in the publication “Warsound. Warsaw” published at the Cenrum of Contemporary Art in Warsaw and ‘Notes Towards Vaginal Listening’ together with Italian artist Anna Raimondo in the collection ”The Middle Matter. Sound as interstice” published by Q-O2 in Brussels. She co-created the series “Mermaids Singing” accompanying the exhibition “Mermaids Crest Your Deceptive” at the Museum of Modern Art in Warsaw. She participated in group exhibitions at the Center for Contemporary Art: “Gotong Royong”, ‘Waiting for another coming/Waiting for another coming’, ‘United Pangea’ at the Museum of Art in Lodz, in the exhibition ‘Post-Peace’ at the Wurrt. Kunstverein Stuttgart, the “Sound and Participation” symposium in Brussels, the Odrathek/Musarc festival in London and the “Untraining the Ear” session at SAVVY Contemporary in Berlin.
Together with the ETC performance group, she participated in the Warsaw Autumn Festival, and the Musica Privata festival, realizing avant-garde sound and movement scores. She creates sound spaces in dance theater and film. Together with sound artist FOQL, she develops the improvised live act Mother Eart’s Doom Vibes, during residencies at Biuro Dźwięku in Katowice or the Unsound festival in Krakow. She co-creates the community-based Radio Capital in Warsaw, and Radio Ushirika in Mathare, Kenya.

artist’s soundcloud